The Winterfood Diaries

The Winterfood Diaries

Monday, 3 October 1988

Mad Max Meets Jungle Book


‘Ants Invasion’ – Adam And The Ants



 

The BTEC folks are growing closer + becoming jolly good friends.

 

Shelley unveiled her model of my preliminary set design.  In discussion with Larry Goodgirl, we agreed that the realisation of the ‘jagged’ monoliths might prove impractical given time and budget. 

 

Carl Morris has agreed to join the Set Team, which has breathed some new energy into the process and inspired my confidence.  We spent the morning working on alternative ideas, one of which included a ‘cloth sculpture’ version, to be built from parachute material (cheaper + still effective), to make the entire stage look ethereal and dreamlike – but I wasn’t sure that this was any good for representing war, violence and the occult. 

 

‘Cool Zero’ – Pat Benatar



 

Finally, I decided to capitalise on the availability of scaffolding from Bircham Newton and came up with a two-tier scaffolding design with ramps and walkways, looking like some sort of post-apocalyptic shantytown, reminiscent of the sort of thing you might see in the film MAD MAX or some such.  I guess the idea is to show the timelessness of the story, by placing it in an environment that might as well be a post-nuclear future just as much as the past, but giving it a timelessness sense of tribalism.  The aim is to show that war and battle happen here and it is not a good place to be; the perfect staging ground for acts of violence and dark witchcraft.


I also came up with a design to fall back on, should it prove impractical.  This second design features a megalith of the type found in Stonehenge (two standing stones with one across the top – with Duncan’s throne beneath it and, very often, the witches sitting on the top like the three vultures in Disney’s The Jungle Book), a scaffolding tower and a dungeon below the stage.  Hopefully the scaffolding tower will be realised with the help of Bircham Newton no matter what.  It will have two usable levels and represent not only the castle, but also forest.


I discussed all this with the College Theatre Stage Manager, who consented to the designs, but asked that neither of them be constructed on the stage’s expensive rubber flooring, which will be removed for the duration of the build and performance.  This has kept us all happy, but I now think we’ve entered a new period of fraught negotiations and endless arguments.

 

 

Later:

LATE

 

‘Don’t You Want Me?’ – Human League



 

I LOVE JUSTINE!  I NEED JUSTINE!

I WANT JUSTINE!  I WANT JUSTINE!

 
I have begun to ‘fancy’ her again.  I want to be with her.  I am mental over her.  I dream of love + sex with her.

 

BY GOD, I NEED SEX WITH JUSTINE!

 

 

HAPPIEST MEMORY ’88?

Rear entry with Justine after Stan’s party – her 1st time in that position.  Phew.  Gorgeous!

 




 

[Images subject to control of individual Copyright Holders including works originated by Elton Townend Jones, but excluding any images or design attributed to ‘The Situation’ which are copyright of The Situation (see specific acknowledgements in the ‘Thanks to…’section below) / ‘Berwin Groomstool’ is an iteration of the Situation character‘William Whicker’ and falls under joint copyright of Elton Townend Jones and Waen Shepherd / Based on true events and designed as a study of parochial British cultural and emotional life in the late 20th century, this blog is a work of fiction – cultural icons excluded, all characters and incidents featured are entirely fictional / This blog is non-profit; all video clips are used for illustrative purposes and always come from YouTube / No copyright infringement is intended – just trying to get things into context. Never forget: no man is an island. If you think anything I’ve used is damaging you in any way, please comment and immediate action will be taken to minimise offence / This notice was amended on 1 July 2012 and is intended to cover this and all posts on www.25yearstoolate.blogspot.com that precede it]

 


Next time: ‘Fancying…’

No comments:

Post a Comment