Thursday, 26 May 1988

Time Was, Time Is


My No.1: ‘Happy Birthday Pigface Christus’ – Current 93


Noggin

 

‘PLEASE EXCUSE THE BAD WRITING, INCOHERENT SCRAWLS, ETC.  IT ALL MEANS I’M FALLING IN LOVE, NO, I’VE FALLEN IN LOVE.

 

JEZ, PLEASE COME SOON.  I DON’T KNOW WHAT TO DO, NOW.

 

I’M SITTING HERE WEARING YOUR SHIRT – IT’S THE ONLY PART OF YOU CLOSE ENOUGH TO HOLD.

 

HARRY IS SITTING ON MY FLOOR, DREAMING OF LUCY – I THINK HE’S MISSING HER AS MUCH AS I’M MISSING YOU. 

 

I LOVE YOU – I CAN’T SAY ANY MORE, REALLY.  I’D DO ANYTHING FOR YOU, HOWEVER CLICHÉ THIS ALL SOUNDS.  OH JEZ, PLEASE WRITE/PHONE/COME HERE TO STAY.

 

WHEN STAN REALISED MY FEELINGS FOR YOU, HE STARTED BEING NICE TO ME + HE EVEN SUGGESTED ME + HIM GOT BACK TOGETHER – NO WAY!  I DON’T THINK I EVEN HAD THE FEELINGS TOWARDS HIM THAT I HAVE FOR YOU.  IF SUNDAY WAS JUST SPITE OR MEANT NOTHING TO YOU, THEN YOU’RE PROBABLY LAUGHING AT ALL THIS + WONDERING HOW TO GET RID OF ME.  GOD, I HOPE THAT’S NOT TRUE.  I’M PRAYING THAT IT ALL MEANS SOMETHING TO YOU.

 

PLEASE WRITE,

I LOVE YOU VERY MUCH,

 

Belinda

X’

 

Belinda… No, it wasn’t spite.  I felt close to you and compelled to be with you that night.  I only hope it’s not too late for me to ring you at work tomorrow and tell you I’m coming to see you on Saturday.  I can’t believe you feel so much.  I actually thought you probably hated me last year.  It was the way you used to look at me and watch me.  I was clearly reading that entirely incorrectly.  And I thought I was acting a real dickhead on Sunday.  I CAN’T WAIT TO SEE YOU!

 

As for Suzi  Well, I got upset on Tuesday night that she and I may never speak again.  But I think that’s the end of it for us.

 

Natalia, I’ll pop in and see you on Saturday morning.

 

DRAMA PRACTICLE HEXAM TOMORROW!

YEEEEUUURGHHH!!!

 

It’ll be fine.  Please, my Gods.  Please.

 

I went for a beautiful walk with my PS tonite (I listened to ‘Call Me’ by Throwing Muses, ‘The Age Of Elegance’ by Ron Grainer, ‘Song To The Siren’ by This Mortal Coil, ‘The Crystal Ship’ by The Doors, ‘Happy Birthday Pigface Christus’ by Current 93, oh, and ‘Dance Of Death’ by The Venomettes).  It was beautiful outside – warm.  The grass was wet and twilight had set in.  An orange blaze lit the horizon, along with the nearly full moon.  The trees were beautiful silhouettes and a solitary star sparkled above.  As a bird of prey flew by, I felt a tingle of pleasure in my bones.  The road upon which I live, and our village, can be very beautiful. 

 

Goodnite.

 

AAH!  I JUST REMEMBERED –

AT ‘THE PARTY’, I

NECKED WITH JASON HERTFORD!

WOOOO!

 

[‘DANCE

INTO THE

MORNING LIGHT…’

 

See the future, Kat –

‘Bring the balance back.

Bring it back!

Bring it back!’

– Ritcherd Winterfood, June 16th 1988]

 

 




 

[Images subject to control of individual Copyright Holders including works originated by Elton Townend Jones, but excluding any images or design attributed to ‘The Situation’ which are copyright of The Situation (see specific acknowledgements in the ‘Thanks to…’section below) / ‘Berwin Groomstool’ is an iteration of the Situation character‘William Whicker’ and falls under joint copyright of Elton Townend Jones and Waen Shepherd / Based on true events and designed as a study of parochial British cultural and emotional life in the late 20th century, this blog is a work of fiction – cultural icons excluded, all characters and incidents featured are entirely fictional / This blog is non-profit; all video clips are used for illustrative purposes and always come from YouTube / No copyright infringement is intended – just trying to get things into context. Never forget: no man is an island. If you think anything I’ve used is damaging you in any way, please comment and immediate action will be taken to minimise offence / This notice was amended on 1 July 2012 and is intended to cover this and all posts on www.25yearstoolate.blogspot.com that precede it]

 

Next time: ‘At the end of the drama…’

Wednesday, 25 May 1988

Nine Years From Now: 25/05/97


NINE YEARS FROM NOW…

'Da Funk' - Daft Punk


JEMIMA picked me up from work tonight and we got stoned at my place, listening to the excellent DAFT PUNK LP.


 Much kissing and mutual masturbation.  However, she did accidentally smash my gorgeous oil burner (irreplaceable + bought for me by Betty a few years ago).

 

I’m worried I’m leading her on.  I just like her company, but we always end up snogging etc, and she’s just NOT QUITE my type.

 




 

[Images subject to control of individual Copyright Holders including works originated by Elton Townend Jones, but excluding any images or design attributed to ‘The Situation’ which are copyright of The Situation (see specific acknowledgements in the ‘Thanks to…’section below) / ‘Berwin Groomstool’ is an iteration of the Situation character‘William Whicker’ and falls under joint copyright of Elton Townend Jones and Waen Shepherd / Based on true events and designed as a study of parochial British cultural and emotional life in the late 20th century, this blog is a work of fiction – cultural icons excluded, all characters and incidents featured are entirely fictional / This blog is non-profit; all video clips are used for illustrative purposes and always come from YouTube / No copyright infringement is intended – just trying to get things into context. Never forget: no man is an island. If you think anything I’ve used is damaging you in any way, please comment and immediate action will be taken to minimise offence / This notice was amended on 1 July 2012 and is intended to cover this and all posts on www.25yearstoolate.blogspot.com that precede it]

 

Next time: ‘Time Was, Time Is…’

Tuesday, 24 May 1988

Love Letters?


11.45pm.

 

‘When The Music’s Over’ – The Doors



 

One of those super-hero style comic book faces with great cheekbones and a strong jaw, but with middle-parted hair and stubble…

 

Frantic eyes and chiselled teeth floating in the emptiness…


 

PiZZONME  

 

I awoke with worries.  Worries.  Was it all bullshit?  Or are we really trapped?

 

In Tech, we rehearsed the Drama Project production now called C’est La Vie.  In this play about human failings, I play an extra-terrestrial ‘assessor’ who comes to judge the darker world of humanity.  It was great and those who watched really loved it.

 

I spoke to Suzi’s mates.  Apparently she DIDN’T get anything from the clinic yesterday because it would be pointless.  Now did I panic when I heard that?  NOT MUCH!!!

 

What will we do?

 

I spent an hour or so with Justine and she’s been really supportive.  Thank god for Sept ’87.  Justine’s a good person.  God, she’s skill.  She’s been really supportive.  When she went home, I returned to Tech.

 

In Tech, I spoke to Suzi finally.  She says I’m not to worry.  If there is a child, she will get rid of it.  I must not worry, she says, because as far as she is concerned, it is not my responsibility.  And that’s all very fine.  I could say, ‘Sure’, but I feel so much guilt about it all.  And what of Suzi’s physical and emotional well-being?

 

Arriving home, I received two letters.  One from Natalia and one from Belinda.  They were both great.

 

Letter from Belinda:

 

‘JEZ/RITCHERD/ETC. (Please tell me which you prefer)

 

THIS IS THE 4TH TIME I’VE TRIED TO WRITE TO YOU IN THE PAST 20 MINUTES – I JUST CAN’T FIND THE RIGHT WORDS. 

 

STAN’S STOLD ME NOT TO BOTHER, BECAUSE OF NAT, BECAUSE OF HOW YOU TREAT FEMALES + BECAUSE HE SAYS SAT/SUN WERE JUST ATTEMPTS TO SPITE HIM, BUT I CAN’T FORGET WHAT HAPPENED.  IT WAS SO BEAUTIFUL.  I FELT SO CLOSE TO YOU, I WANT TO BE WITH YOU FOREVER. 

 

I’M PROBABLY MAKING A FOOL OF MYSELF BY WRITING THIS – MAYBE STAN IS RIGHT.  I DON’T KNOW.  ALL I DO KNOW IS THAT YOU ARE THE MOST WONDERFUL, LOVING PERSON I HAVE EVER MET.  I FEEL SO MUCH LIKE CRYING BECAUSE YOU ARE FAR AWAY.  I DON’T KNOW IF I’LL SEE YOU AGAIN – STAN SAYS I WILL, BECAUSE YOU’LL COME LOOKING FOR HIM + ANYWAY, YOU LEFT YOUR SHIRT, SO YOU HAVE TO COME OVER. 

 

OH GOD, JEZ, WHY ARE YOU SO PERFECT?  WHY DO I LOVE YOU?  I WANT YOU HERE WITH ME TONIGHT, IT FEELS SO LONELY WITHOUT YOU.  LIFE SUDDENLY SEEMS EMPTY NOW YOU’VE GONE. 

 

SUNDAY MORNING WAS BEYOND DESCRIPTION AS FAR AS I’M CONCERNED, JUST SO TENDER + SO SPECIAL.  NO WORDS ARE GOOD ENOUGH TO EXPLAIN HOW YOU MADE ME FEEL – HEAVEN, PERHAPS?  WHO KNOWS?  YOU’RE THE POETIC/LYRICAL ONE. 

 

I COULDN’T EVEN WAVE GOODBYE TO YOU ON THE BUS.  I WANTED TO BE WITH YOU.

 

IF YOU OBJECT TO ME, PLEASE JUST WRITE + TELL ME, BECAUSE IT’LL GET ON YOUR NERVES IF I CARRY ON WRITING TO YOU. 

 

PLEASE COME HERE SOON, I MISS YOU SO MUCH ALREADY + IT’S ONLY 8PM ON SUNDAY.  I’LL LIE ALONE IN BED TONIGHT, WISHING, HOPING YOU’LL RETURN.  EVERYTHING IS SO CONFUSING.  I DON’T KNOW HOW YOU FEEL ABOUT ME.  I’M ONLY SURE OF ONE THING + THAT IS WHAT I WANT YOU SO MUCH; WORDS FAIL ME.  I NEED TO BE WITH YOU, TO TOUCH YOU, TO WAKE UP IN YOUR ARMS.  I KNOW YOU’VE GOT YOUR A-LEVELS, BUT PLEASE TRY + WRITE OR EVEN VISIT.  I SUPPOSE IF YOU PASS, YOU’LL GO TO EUROPE; IF YOU FAIL THEN YOU’LL STAY TILL NOVEMBER.  I WOULDN’T WISH FAILURE ON YOU, BUT I WANT YOU SO MUCH…’

 

Belinda, I had no idea your feelings were so strong.

 

She seems crazy about me, but I feel guilty about Suzi.

 

The letter from Natalia (which has a Snoopy sticker on it and Snoopy’s thinking: ‘IT’S NICE TO HAVE A FRIEND YOU CAN LEAN ON’ – and he’s leaning on Woodstock, who’s leaning on him) was begun on the Thursday 18th May:

 

‘My dearest Ritcherd,

 

It’s 4.25pm and I’m in bed.  I felt bloody awful when I got up.  My throat felt like the bottom of a vulture’s cage, but I braved all and went to Sixth Form.  I got progressively worse, so came home at lunchtime.  And here I am.

 

I’ve just re-read the letter you wrote but never sent to me.  It really is nice. 

 

I enjoyed myself on Tuesday and I want to see you again – soon.  When you read me your diary, I was touched by what you said about me and our beautiful friendship.  I was filled with that same sense of breathlessness and heavy emotion as on that Friday.  Like you, I would love to spend a night, just the two of us with a bottle of wine, beneath the moonlight, sharing memories, feelings, fears, desires – completely baring our souls to one another; fusing together as one; holding each other + keeping each other warm. 

 

I listened to the Situation tape.  I started off listening to it on my Walkman and everyone kept looking at me because I either had a massive grin on my face or was uncontrollably laughing.  I listened to the rest at home and I’ve come to the conclusion that you’re both completely off your trolley.  Babber Pie, indeed.  One bit which made me giggle was ‘…and the bears.’  I haven’t heard anyone say that for ages.

 

God, I feel awful.  I think I’ve got bugger flu.

 

Write to me.  Soon.  Please.  I need to see you; I don’t want you to fade away.

 

A friend asked me yesterday, ‘Have you found what you’re looking for?’

‘Yes,’ I answered, and smiled.  All that remains now is to build on it.

 

How’s Suzi?  And things between you + her?

 

I doubt if I’m going to see The Sugar Cubes now.  Not sure if I can get there, and if I’m still feeling yuk, then I won’t.  ‘Tis a shame, but ne’er mind.

 

I want to go to sleep now, so I’ll see you in my dreams.

 

All my purest love, forever,

 

natalia xxx

 

‘sans toi, je ne suis rien’

 

PS.  All day Wednesday, I felt an unexpected sense of elation.  I was floating on air and utterly contented.  I hadn’t intended to feel that way, it had just come over me.  All thanks to you.  Did you feel the same?  I smile when I think of you, or hear your name.  Is it the same for you?

 

I opened my mouth to explain to Katy what’s going on between us, but it seemed useless to try and explain.  It’s something you have to experience really.  I feel no need to share it, to tell anyone; if I think of you, of us, I feel content and secure.  I hope you feel the same.

 

nX

 

11.17pm:  Here I am, writing more after our phone convo.  Do you remember New Romance and ‘Walking In The Rain’?  Bit of a naff song, I know, but sometimes they’re the ones which spring to mind in certain situations (situations – what a double-entendre word-play an’ all that!).

 

I want to explain about the entry I made in your diary.  I wrote what I was feeling at that very moment.  Not just that evening or since I’ve begun to know you better, but the exact thoughts that were flowing through my mind and in my blood as the ink formed on the paper.

 

I’ve just written my diary for today and I asked, Why do I find myself not mentioning you and our friendship to Mark?  Why am I acting like I’m guilty of something?  Do you understand what I am (badly) trying to say?  It’s as if we’re covering up for something.  I don’t know, but I’m sure Suzi isn’t so possessive that she won’t allow you to have female friends, and I know Mark isn’t, yet still I keep quiet.

 

Any road, cock.  It so transpires that I may still be going to see the Cubes of Sugar tomorrow.  Mum’s friend will take me if his daughter doesn’t come home for the weekend.  So fingers crossed.’

 

The letter continues on Friday 19th May:

 

‘2am: I can’t sleep.  I went to bed at 11pm and I haven’t been able to sleep yet. 

 

Where are you?  I keep thinking about you.  I want to talk.

 

What do you do when you’re having an attack of insomnia?  I’ve tried reading, both heavy and easy stuff; I’ve tried just lying and letting my mind drift; I made myself a hot chocolate, but it hasn’t worked.  I can’t listen to music because it’ll wake my Mum up, and the batteries on my personal stereo are knackered.  I actually feel like doing some exercise, but my body’s too heavy and lethargic.  I shouldn’t have gone to sleep this afternoon, really.

 

If we ever get to stay up all night together talking, you’ll notice something that I do when I’m tired but past sleeping.  I ramble.  I sit and talk about the most trivial and the most profound things, and with such continuity that there’s no reply or interjection you can make.  I just rattle on and on, almost as if talking to myself, as if I couldn’t even care if anyone was listening or not.  I’m doing it a bit now, actually: writing for the sake of it.  I suppose I should really do some work or revision or something, instead of wasting my time, but I can’t be bothered.

 

I’ve got a crush on ‘Cathouse’ by Danielle Dax at the moment, and I don’t care.

 

Have you got Treasure by The Cocteau’s?  It must be my all time fave album (even though Flowers’s got it!).

 

Do you see a lot of Suzi?  Or p’raps I should say, ‘Do you see Suzi a lot?’

 

Hum ho.  S’pose I better try and get some sleep.  I feel more awake, though, as the night draws on.  Still, I’m not going to school (god I hate that word – it makes me sound so young) tomorrow anyway.

 

Did I mention I saw Matt on Wednesday?  No, how could I have done (mentioned it, that is).  He was in Downham, having just been to see Ursula, I presumed. 

 

I want to go on holiday somewhere hot, but cheap and unknown.  Cycling through Granada, Spain would be nice.  Visiting medieval monasteries and walking through scorching village lanes, full of dust and lined with flat-roofed, white villas and old women casting disapproving looks.  Dark-haired, dark-skinned children playing in the street.  Washing hanging on make-shift lines.  Young mothers holding toddlers round their apron-clad waists.  Far off a baby cries.  Unfamiliar, foreign languages can be heard – shouting in that way Latin types do, aggressively, their pitch and tone augmenting and diminishing.  Yet, the feeling of being a stranger, being unwanted… the feeling that if they didn’t like you, they would spit on you as you passed in the street, but they don’t because they don’t care, not a toss.  And this feeling doesn’t worry you at all, you just ride straight through, perhaps pausing to take in a beautiful vista from a hill, or to have a drink.  But you carry on smiling, with the hot sun beating down from a cloudless sky…  That’s what I would like.

 

I’m going on holiday this year with my Dad, but I don’t know where yet.  Probably France again.

 

Are you still going to Europe?  I hope to go next year after my exams.

 

Oh dear, I’ve just realised I’ve been going on, being boring and irrelevant.  I’m just writing down my thoughts really.  The image of a Spanish village keeps coming into my head lately and I wanted to see how accurately I could describe it.  Have you ever read, or seen on telly, Laurie Lee’s As I Walked Out One Midsummer Morning?  He walks through Spain, and it sounds just like my image.  Perhaps that is where my image comes from.

 

Shut up, Nat.

 

Think I’ll listen to you + Flash again.

 

Goodnight. XX.

 

The silence that lays all around at this time of night is so lonely and empty.  I feel as if I’m the only person awake in the whole world.’

 

Natalia…  Thank you for being there.  Sorry I’m a little ‘odd’ at the moment, but I’ll pull through, I always do.

 

Thank you for support, Flash.

 

Later:

 

‘Suedehead’ – Morrissey



 

I am upset that Suzi and I may never speak again.  I feel guilt and regret.

 




 

[Images subject to control of individual Copyright Holders including works originated by Elton Townend Jones, but excluding any images or design attributed to ‘The Situation’ which are copyright of The Situation (see specific acknowledgements in the ‘Thanks to…’section below) / ‘Berwin Groomstool’ is an iteration of the Situation character‘William Whicker’ and falls under joint copyright of Elton Townend Jones and Waen Shepherd / Based on true events and designed as a study of parochial British cultural and emotional life in the late 20th century, this blog is a work of fiction – cultural icons excluded, all characters and incidents featured are entirely fictional / This blog is non-profit; all video clips are used for illustrative purposes and always come from YouTube / No copyright infringement is intended – just trying to get things into context. Never forget: no man is an island. If you think anything I’ve used is damaging you in any way, please comment and immediate action will be taken to minimise offence / This notice was amended on 1 July 2012 and is intended to cover this and all posts on www.25yearstoolate.blogspot.com that precede it]

 

Next time: ‘Into the future…’

Monday, 23 May 1988

Scared


12.20am.

 

‘Love Me Two Times’ – The Doors



 

I wrote an entry at Belinda’s place.  Will it ever see the light of day?!  Probably bring about my ultimate downfall or something.

 

I’m well out of it.  Head spinning like fuck.  I feel so deathlike.  Body aches.  Head’s gone.

 

I’m heavily into The Doors.

 

Later:

OH GOD I’M NOT HERE

COR!

See you tomorrow…

fook

Booze… dope… Liquid Gold…

this is an Xtended hangover…

fook!

 

Later:

 

‘Five To One’ – The Doors



 

What will the headlines say?

 

Oh my god!  Natalia help me!  I need you so much.  I can understand if I’ve lost you altogether now, but it’s never been like ‘this’.

 

Oh god.  I’m scared.  I’m scared.  And I’ve learnt a lot of lessons.  Oh god, I’m scared.  Please…  help me… please…

 

I had no condoms (as with the last time we made love).  HAH!  WHAT A TWAT!  I HATE MYSELF!  I cannot lie, I loved every minute of making love to her, but… those moments for this oncoming eternity?  Oh why?  I’m going to cry…

 

I’m crying… 

Fuck

 

Lee and I had a great chat in the STUDIO CAFÉ on Saturday, and he’s really nice.  I din’t know he…

oh FUCK!  AAAAH!

…sorry…  It’s just… kids…babies…

 

I didn’t know Lee had a baby girl…

 

Later:

‘Waiting For The Sun’ – The Doors



 

At Tech, Suzi wouldn’t speak and I felt even worse than I had been doing.  Then one of her friends said to me, ‘Nothing personal, but did you ever sleep with Suzi without a condom?’

‘Yes,’ I said.

 

Suzi, it seems, went to the clinic today for a ‘morning after’ pill.  She was (menstrually) late.  Which could probably only be me, two weeks ago.

 

Oh shit.  I’m scared.  I hope the pill works.  I’ll have to see her friends about it.

 

Justine’s been a good help/support.

 

But I need Natalia.

 

Oh Nat.  You will hate me now.

 

Please, my gods, let all be well + good.  My lesson is learnt.  No casual sex.  Only condom sex to be condoned.  And I will ask if girls are on the pill.

 

I am scared.

 

I want to be with Nat.  I don’t want to be a father.  And Suzi won’t have me, I don’t think, as a lover.  And yet she insists that I should have no other lovers now.  And this baby’s the ideal way to trap me.

 

And if it’s born, I will have no choice but to love it with all my heart.

 

oh god!

AAAARGH!

 

Natalia help me please!

help me!  help me!

 

help me!  help me!

 

A Satanic snout-faced demon stares into me with deep, black eyes…


 

Later:

 

On the bus, Kathy’s telling-off rang in my ears and continued all the way home. 

 

NO MORE SEX WITHOUT CONDOMS.  CHECK ALSO THAT A GIRL IS ON THE PILL.  NO UTTERLY ‘CASUAL’ SEX.

 

It was relieving to know that Kathy was once two weeks late, but everything turned out fine.

 

Suzi has been known to be late.  I know this. 

 

Later:

 

‘Spanish Caravan’ – The Doors



 

Half-written letter, unsent

 

My Dearest Natalia,

 

HI.

 

Oh god, I wish you’d been around over the last few days, but you weren’t to know of my ‘hassles’ were you?  I’m missing you like crazy and I want to sit and talk with you.

 

I have been a git.  A real donger!

 

On Friday, I met Suzi just before The Sugar Cubes, and she was ‘alright’ – a bit distant, though.  Off she went, with all her mates to the SC, and I went to the Pub with Stan and all our mates. 

 

It seems Stan and Belinda had argued + finished that nite, but it had been brewing for some time.  Stan had been seeing Sage behind Belinda’s back and Belinda had found out.  Stan had also been lazy, scruffy, uncaring and useless while they had been together.  Belinda, quite rightly, had nagged Stan to do more helping with the housework (put his dirty clothes in the laundry bag, wash up now and then, etc.), but he took a fit.  ‘I’m a rebel,’ he says.  ‘I wanna be in a place where I can do what I want, without anyone telling me what to do.’  He doesn’t realise he’s got a ‘mother figure’ dependency.  They argued and he told her that she’d better change her ways, or he would leave!  STUPID GIT!  More arguments.  ‘Fine,’ he says, ‘I’ll stay in the spare room + then move out in a while.’

 

That night, Stan met up with Sage, who went just after Suzi returned from the gig.  We then went back to Stan’s place.

 

Next day, Suzi said she wanted to meet up with some blokes she’d met at the SC gig. 

I said, ‘Fine, I don’t want to go, though, so I’ll see you at 5pm.’ 

She agreed.

I was a bit ‘miffed’ to say the least.  She was being so vague, giving nothing away, as usual. 

 

I later met up with all my mates ‘n’ stuff in NORWICH and got willy-babbered (pissed!0.  Then I saw Suzi + her new ‘mates’.  I said ‘hi’, but she wouldn’t give me the time of day.

 

I saw her later, at 5pm.

‘Are you coming back to Stan’s with us, Suzi?’

‘No, I’m staying here for a while.’

 

I wasn’t pissed off by now, was I, eh?

 

So I went back to Stan’s with Belinda and my mate Lee.  I chatted with Belinda in depth about her ‘situation’ with Stan, and it seems she’s really been fucked about by him, and I felt really sorry for her.  I told her about you and I and Suzi, and we got dead close, friendly – getting on really well.

 

At the house, the party started at about 6.30pm, with the action alternating from Stan’s end of the house to Belinda’s in overlapping phases.  I sat with Belinda, who seemed really depressed, until the house really filled up (with about 40 people) and we all got dead stoned and pissed.

 

I was out of my tree + god knows what I was thinking…

 

Unfinished letter ends here.

 




 

[Images subject to control of individual Copyright Holders including works originated by Elton Townend Jones, but excluding any images or design attributed to ‘The Situation’ which are copyright of The Situation (see specific acknowledgements in the ‘Thanks to…’section below) / ‘Berwin Groomstool’ is an iteration of the Situation character‘William Whicker’ and falls under joint copyright of Elton Townend Jones and Waen Shepherd / Based on true events and designed as a study of parochial British cultural and emotional life in the late 20th century, this blog is a work of fiction – cultural icons excluded, all characters and incidents featured are entirely fictional / This blog is non-profit; all video clips are used for illustrative purposes and always come from YouTube / No copyright infringement is intended – just trying to get things into context. Never forget: no man is an island. If you think anything I’ve used is damaging you in any way, please comment and immediate action will be taken to minimise offence / This notice was amended on 1 July 2012 and is intended to cover this and all posts on www.25yearstoolate.blogspot.com that precede it]

 

Next time: ‘Love letters…’